In the third and last cycle of this review of works, the tribute is to the pictorial culture of the Far East, to its notion of emptiness, serenity, Zen evocation. These paintings, often made with the tempera technique on canvas, evoke mountains, water and skies and are distinguished from the first cycle, by the increasing variable of light, expressed up to creamy white.
Here the borders expand, become liquid, metamorphic, sonorous and fragmented into diptychs and triptychs.
Seem to hear the sound of the wind in the Blue work ..